
LET’S.BLEED.THE.WALL.

FULLBLEED.CO/CREATOR.ANDRE.RAZO.

FULLBLEED.CO/CREATOR.ALEX.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

LET’S.BLEED.EPIC.AWESOME.

MR.RAZO.AWESOME.BOOK!!!

JAHMEKYA.&.MEGHAN.COLD.CHILLIN.

MR.PATROCK.O’DELL.FULLBLEED.REPPIN…

SUPA.SMILE.SUPA.HUMAN.

SPACE.&.TIME.BLEED.

RockersNYC SALTUTES.THE.FULLBLEED.CREW.THIS.BOOK.IS.NYC.SKATE.HISTORY!!!

bleed baby bleed
Sunday, September 5th, 2010
A.U.S.Latino.Hardcore.Punk.Documentary!!!
Friday, August 27th, 2010Beyond The Screams: A U.S. Latino Hardcore Punk Documentary!!!

THIS.FLICK.IS.SO.SICK.click.&.spazz!!!
Martin Sorrondeguy, former vocalist for Los Crudos, is the producer of this powerful and uplifting documentary about the U.S. Latino punk scene and the DIY movement. The video features live performances by bands, including Huasinpungo, Los Crudos, Subsistencia, Sbitch, and many more.
“Beyond The Screams is also beyond the stereotypes. Latino punk bands? Writing from here in Gringolandia, I never knew of such a thing. Wasn’t punk the exclusive property of hardcore white guys from the proletariat? Martin Sorrondeguy, lead singer of the Chicago-based band El Crudo, takes us on a musical history tour, from the roots in the L.A. renaissance circa 1976 and bands like The Zeros, Plugz, and The Brats, to the latter nineties and the post-nihilism of Youth Against, Bread and Circuits, Kontra Attaque, and others. There’s a DIY attitude to Beyond The Screams and a galvanizing energy that echoes many of the performances, songs delivered like shrapnel. The bands featured from El Paso, Mexico City, Los Angeles, Chicago, and Berkeley testify to the intent of their music as political resistance. This isn’t just chunky chords and crackling vocals. Beyond The Screams is the sound of hope mixed with rage.”
- Steve Seid, Pacific Film Archive
HARDCORE FOR LIFE!!!
Saturday, August 21st, 2010SCREAM…STILL.SCREAMING!!!

CLASSIC.HARDCORE!!!
CHAOTIC.DISCORD…FUCKPOLITICS.FUCKRELIGION.FUCKTHELOTOFYOU!!!

CLASSIC.HARDCORE!!!
GRIND.MADNESS.BBC!!!Napalm Death.ExtremeNoise Terror.Carcass.Bolt Thrower

Godflesh.UnseenTerror.Heresy.IntenseDegree.CLASSIC.GRIND!!!
CORROSION.OF.CONFORMITY.ANIMOSITY.

CLASSIC.HARDCORE!!!
BROKEN.BONES.Dem Bones + Decapitated.

CLASSIC.HARDCORE!!!
HOT.DAMN.THESE.BANDS.WERE.APART.OF.MY.TEENAGE.YEARS!…AWESOME!…
….OH.YEAH.I.SAW.MOST.OF.THEM.IN.THE.80′S!!!..STRAIGHT.HISTORTY!!!
….click.on.red.to.download!!!
it’s a vice thing…
Thursday, August 19th, 2010
JAHMEKA.&.MEGAHN.RockersNYC&GOD’S PREY

KRAZEE.LE.LE..& HIS PHOTO’S…YES
RockersNYC.SALUTES.ALL.THE.LENSHUMANS-THAT.TOOK.PART!!!
RockersNYC interviews BoundlessNY COOL!!!
Tuesday, July 27th, 2010
RAD.HUMAN.STICKY.BOUNDLESS”NY”
1.Yes yes nick whats the styles, how are you? what up big styles?
Nick:
thanks for the questions and its great to know u my brother. Im feeling pretty open at the moment.
2.what joy do you find in being an creative human?
Nick:
can’t pin point the exact joy or feeling I get but I do love and respect myself as a human and that allows me to be aware of others around me and do the same for them.
3.do you feel connected to the interplanetary world?
Nick:
very very strongly. and i can feel the others around me that are connected. I am very open to the cosmic world, and the energy and colors flowing around us. I feel blessed that I allowed myself to connect to this world. Learning to embrace my dark side has helped me travel very deeply into the interplanetary world.

EPIC.DEAD.STYLES.STICKY.&.HOMIES.NEW.BOUNDLESS”NY”STYLES!
4.what’s your take on the ancient faiths of the world?…do these faith’s have any effect on the way you see the universe?
Nick:
mixed feelings for sure on this one… basically I take a little of this and a little of that from ancient faiths but i don’t follow or worship one particular faith.
5.do you feel that there exist an universal creative tribe?…if so what kind of strength do you get from the tribe?
Nick:
I feel you are either on one side or the other. I try and walk the rightious path and make this world a better place. I mean when u meet someone u can tell right off if they get it or don’t. If they are on the level. If they care to be.. Once you are on the level than if u are open and your inner walls are down enough, you can connect and communicate in a whole different way.. no words, just feelings, colors, and energy.
6.what effect does music have on what you create? its everything.
Nick:
it is a channel to other worlds.
7.does your family overstand what you do?
Nick:
110% and I fucking love them for that!
8.say what ever you want to say!
Nick:
Get connected with your true self. Respect others around you, especially their personal space. Slap my mind!
RockersNYC SALUTES STICKY & THE BOUNDLESS”NY” CREW!
AHHH….SHIZZ…WE…HAVE.SOMETHING.SPECIAL.COOKING!!!
sugar minott the don!!!
Tuesday, July 13th, 2010Yes yes Sugar Minott…words can’t describe how cool you were on so many levels. Your voice & your irie vibes will live forever!
What really impressed me the most about Sugar Minott was his love for the ghetto youth of Jamaica. While other reggae singers made it big & bought their big house on the hill, Sugar stayed in the ghetto & set up Youthman Promotions, where he taught the youth of Kingston the music trade. I could list how many youth he helped to start a music career, but the list would be too long! He is an example of a Rastaman without dreads…he was a true Rastaman & a dread at heart.
Sugar gave the best shows…one of illest shows I have ever seen was Sugar in ‘86 in Oakland…he rocked it for 2 hours! We will get our slice of the cake, all sufferers rise up.
Sugar Minott – Sufferer’s Choice
SUGAR MINOTT – Inna Reggae Dance Hall.
SUGAR MINOTT – Ghetto-Ology Dub.
Sugar Minott & the Youth Promotion Crew 1986.
Sugar Minott – Good Thing Going [totp2].
WE SALUTE YOU SUGAR “BUGGA” MINOTT!!!
super rad humans….
Thursday, July 1st, 2010
RUBELLA.BALLET.”IF”.1986…CLASSIC.DAY-GLO.SPAZZ.
The band was formed by former Fatal Microbes Pete Fender (Dan Sansom, guitar), Gem Stone (Gemma Sansom, bass) and It (Quentin North, also bass), with vocalists Annie Anxiety and Womble, and drummer Sid Ation (born Sid Truelove, 18 April 1960, Sutton Coldfield, a former chef, later also the drummer with Flux of Pink Indians). Annie, Womble and It were involved only initially, left and were replaced by vocalist Zillah Minx (born Zillah Elaine Ashworth, 31 March 1961, Birkenhead). Fender and Stone were the son and daughter of Poison Girls singer Vi Subversa. The band used Poison Girls equipment to jam and write songs and their first performance was when they took to the stage at a Crass/Poison Girls concert. They had originally been called Rubella Babies. The band’s first proper gig was a fundraiser for the Theatre Royal in Stratford, which ended in a riot, and the band played frequently, often asking audience members to put them up after gigs.
The new line-up were soon known for wearing brightly coloured dayglo clothes on stage, to differentiate themselves from the anarcho-punk bands who tended to wear black, ‘army-surplus’ style clothing. Pete Fender left at the end of 1982 and soon afterwards joined Omega Tribe as a full-time member, having been their early mentor and record producer.
RUBELLA.BALLET.
FALSE.PROMISES.
The band released one album on cassette tape, entitled Ballet Bag (1981) and a 4 track 7″ EP, Ballet Dance (1982), both for Poison Girls’ XNTRIX Records, after rejecting the opportunity to put out a record on the Crass label. Adrian Thrills, reviewing the single in the NME stated “the Ballet have an appealing sharp edge to their claustrophobic punk thrash, a poppy surge and even a discernable funk readjustment…of course, they could always just be taking the piss”. After releasing the 42f single on Jungle Records (with Sean replacing Fender) the band started their own Ubiquitous label. Rubella Ballet toured extensively with Poison Girls and Crass, and recorded two John Peel sessions for BBC Radio. In 1984 they embarked on an ill-fated tour of Italy to promote 42F. The band had only been given single airline tickets and after a week of playing without getting paid, they returned to England by train.
The band’s line-up underwent several changes before their next release, “Money Talks” (1985); Sean and Gem had left, to be replaced by Adam and Rachel Minx (Zillah’s younger sister Rachel Irene Jane Ashworth), and Adam himself has replaced by Steve Cachman prior to the recording of the debut album At Last, It’s Playtime, the same year, an album that has been described as “chugging mid-paced stuff, many of the tracks dominated by Zillah’s steamroller-flat vox”. The line-up stabilized over the next few years, the band recording a second album, If… in 1986.
RIDE.THE.DAY-GLO.VIBES.














































